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Amina
16 March 2009 @ 12:00 pm
...my aesthetic heroines:

Rachel Brice





Zooey Deschanel





Zoetica Ebb



 
 
Current Mood: hopefulhopeful
 
 
Amina
16 January 2009 @ 06:06 pm
Last time I picked:

Favorite Actors: 
1. Edward Norton
2. Lee Pace
3. Robert Downey Jr.

Favorite Actresses:
1. Maggie Gyllenhaal
2. Catherine O'Hara
3. Cate Blanchett

Favorite Directors:
1. Wong Kar Wai
2. Wes Anderson
3. Steven Shainberg

Favorite Movies:
1. 2046
2. There Will Be Blood
3. American Beauty
4. Down in the Valley
5. Secretary

New Favorites as of January 16, 2008

Favorite Actors:
1. Robert Downey Jr.
2. Edward Norton
3. Tony Leung
4. James McAvoy
5. Cary Grant

Favorite Actresses:
1. Cate Blanchette
2. Maggie Gyllenhaal
3. Audrey Hepburn
4. Kate Winslet
5.Catherine O'Hara

Favorite Directors:
1. Christopher Nolan
2. Wong Kar Wai
3. Wes Anderson
4. David Fincher
5. Alfred Hitchcock

Favorite Movies:
1. There Will Be Blood
2. Bringing Up Baby
3. American Beauty
4. Cashback
5. Amelie
6. 2046
7. Secretary
8. Charade
9. The History Boys
10. The Royal Tenenbaums
 
 
Current Mood: chipperchipper
 
 
Amina
12 January 2009 @ 06:47 pm
The following may apply:

Sardonic, talented comic book writers



Ingenius, old-fashioned band members



Gorgeous, dancing gentlemen



Sensitive, intelligent folk singers



Hunky, world-weary actors



Thank you. Please wait in the lobby and I'll interview you one at a time.


 
 
Amina
And that is what I find myself doing, sighing contentedly. You see, today my mother and I went to a movies, giving ourselves our own double feature. I realized I didn't speak about the last time I went to the movies, so I'm going to do that now. I'm trying to work on my movie analysis/review skills, so I've decided the best place to start is by going back over all the movies I see and discussing them.

So, first up from the first trip to the movies (in which I also saw two films): Slumdog Millionaire

This movie was sort of fantastic. The premise is that this young "slumdog" from the slums of Mumbai (formerly known as Bombay) goes on India's version of "Who Wants To Be A Millionaire" and wins the whole show, getting, I believe, 25 million rupees. The host of the show accuses the player, Jamal, of cheating. To prove his innocence and explain why Jamal did truly know all the answers, and this is where it really gets clever, he gives numerous examples of his difficult life to explain how growing up in the slums has actually given him a fair of amount of trivial knowledge. This means that most of the movie is told in a series of funny, heartwrenching, and poignant flashbacks linked together by scenes from his interrgoation. At the core of the movie, though, is the love affair between Jamal and the woman of his dreams, Latika. She's the reason he goes on the show in the first place - he's hoping (since "everyone in India likes the show") she'll see him and know he's looking for her. I can't really explain why it's such a good film beyond saying that it's so incredibly touching, as well as humorous. The soundtrack pulses you along through the movie, and there's no denying that Mumbai is a wonderfully colorful, if difficult, place to live in. It's a really well put together movie, too. I can understand why it's up for so many awards.


Next up: Doubt

Okay, so I loved Doubt. Meryl Streep is out of this world in the movie, and Philip Seymour Hoffman is excellent as well. Amy Adams' character is almost too meek to me, but her character still serves her purpose. The premise of this movie is interesting, too. Father Flynn, a Priest at a Catholic School, is accused by one of the nuns, Sister Beauvier, of having an inappropriate relationship with one the male students, in fact, the first African American student to enter that school. It's this really interesting power play in a lot of ways between the head nun and the priest. Beauvier is determined she's going to remove Flynn, even though she's given little leeway to do so in the very strict heirarchy dominated by men. She's also got next to no proof, and is operating on a mostly gut feeling. This is where some of the doubt on the half of the audience comes in, because you're never quite 100% sure Flynn is guilty, though some of his behavior seems incriminating. The most powerful part of the movie, in my opinion, is the final scene that I'm choosing not to give away here. Overall, it's a really tight film. The acting is...unbelievable. Even if it may be lacking in a nice, clear, little resolution for some people, for those who don't need an obvious message (for many opinions on the matter  at hand are presented) it's well worth a viewing. Or maybe two.


The first movie watched today: Yes Man

This movie was not watched in the hope of seeing an exceptional film. It was watched because my mom and I wanted something funny, and I adore Zoey Deschanel like it's nobody's business. So, going in with this frame of mind meant I wasn't disappointed in the least. The movie, who's story is about an uptight "No Man" who attends a self-help seminar geared towards giving negative thinkers the initiative to become more open-minded, was a pleasent experience. Carrey was funny (as expected) as Carl, the No Man turned Yes Man, and Deschanel was cute as a button as the rock band girlfiend who helps him experience new things. Since no one expected this movie to be amazingly deep, it was easy to accept it for what it was. Bottom line: It was funny and I'm glad I saw it.

Finally: Gran Torino

Wow.
Clint Eastwood is a bit of a whirlwind. If the movie's a little unbelievable (who's really going to believe a man as old as Walt is going to kick as much ass as he does) it's forgivable because the movie is incredibly great in a lot of other ways. The plot is this: A old man who fought in Korea and pretty much hates everyone creates an unexpected connection with the Hmong family who lives next door - especially surprising since at one time one of the male members tried to steal his prized possession: A 1972 Gran Torino. He helps this family out when faced with both odd jobs around the house and defending them from the local Hmong gang, all the while moaning and groaning about what gooks and zipperheads they all are. It's espeacially sad, though, beceause throughout all the ways he connects with the foreign family next door, the movie also shows how distant he is with his own family. The only one's left are his two sons and their familys; his wife has died, the funeral being the opening scene. There's also an interesting relationship between Walt and the priest at his church - an institution he doesn't believe in, but is a part of due to his late wife. All in all, the movie is a really fascinating portrait of this old man, so if it fails a bit in the plausibility department, you can't help but look past it. This movie is also really funny. I mean, it's no comedy, but I definitely didn't expect to laugh as much as did.

So, those are the last few movies I've seen in theatres. I'm still hoping to see The Wrestler, The Curious Case of Benjamin Button, and I'm hoping they'll bring Rachel Getting Married back for Oscar season. I'm sure there are others I'm forgetting, but for now I'm satisfied.
 
 
Amina
09 January 2009 @ 11:25 am
So, I just had a revelation (erm, dur).

No matter how awful something is, and especially when it's not very awful, as soon as I can put some sort of positive spin on it, label it as a lesson or worthwhile experience or some nonsense, I immediately feel better.

Like, for recent example: getting dumped.

The positives
  1. I'm the one mostly hurt, not the other person involved - I prefer it this way
  2. The way it was done only showcases the immaturity of the one who did it - another reason I don't want him as a significant other
  3. I always thought he was the one more emotionally invested - learning that he wasn't is humbling; there's no reason I should have assumed he'd be the one fawning over me
  4. I'm now free to find somebody older, more mature, and more experienced - I imagine that can only be leaps and bounds better than someone younger, immature, and with as much, even less in some ways, experience than I
  5. I've learned that partnership should be based on friendship; deep, personal friendship - something we weren't close to having
  6. I just went through a major emotional first, and it was wonderful while it lasted - He was a great person with a good heart; there's no way I regret it
  7. We've ended things amicably. Sure, I'm annoyed, sad, and a little hurt about being dumped. But then again I'm sure as hell not heartbroken - something a lot of girls' first romances result with. Mostly, I'm just sorting out the new feelings that come along with ending a relationship for the first time
  8. It's a new year, a new semester, a new set of a roommates, and an altered social circle - there's so much room for improvement and enjoyment.
I have high fucking hopes for 2009.

 
 
Current Mood: optimisticoptimistic
 
 
Amina
08 January 2009 @ 03:32 pm
So, I hadn't made any formal resolutions, not really, and I hadn't initially intended to. However, despite my decision (or if you'd prefer for irony's sake, my resolution) I seem to find myself making resolutions, anyway.

I've decided to just give in. I'm making what are obviously resolutions, so why not called a spade a spade? Thus, here be my New Years Resolutions:
  1. Get healthier and all that entails (who hasn't made this resolution, honestly?)
  2. Watch/read/listen to more news
  3. Read more
    1. Subsequently work on anayzing that reading, even though I'm not studying it for a grade
  4. Expand my diction
  5. Work on becoming a lady. I'm always trying, but I never get very far
Those are it. Some of them are relatively lofty, but all are generally doable.
 
 
Current Mood: determined
Current Music: Maury's women shrieking about the man not being the father.
 
 
Amina
04 January 2009 @ 03:55 pm

Are the best. Especially those dancers! My goodness.




 
 
Amina
01 January 2009 @ 12:18 am

            The phone is lying by her right ear on the pillow. She knows she is being pathetic.

            “Ring,” she thinks earnestly towards it, “ring!”

            The phone is silent.

            “Screw you,” she mutters angrily, turning her head to face the wall. But then she sighs, turning to face the phone again.

            “Why don’t you ring, you little plastic bastard? Why don’t you ring?”

            The phone, surprisingly enough, has nothing to say.

            “It’s almost New Years, you know,” the girl says conversationally, “and don’t you know what people are supposed to do on New Years?” The phone looks at her blankly.

            I am not people she imagines it is saying to her. I am a phone, and we do nothing on New Years.

            “Well,” replies the young lady to the quiet phone, “whether you want to know or not, they are supposed to kiss.”

            The phone is unimpressed.

            “I don’t know what your problem is,” the girl says, scowling. She folds her arms, once again deciding to wallow in her own weakness.

            “Look at me,” she says aloud, no one but the phone to hear her at this hour, “sitting here alone, talking to myself,” a look at the phone, “well, and a cell phone. What kind of a girl am I to sit here waiting for a call that’s clearly not going to happen? This is really awful, isn’t it?”

            The phone is still silent.

            “Your silence speaks volumes,” she says sarcastically. When the phone remains quiet, she becomes angry again.

            “Damnit! Why isn’t he calling me?” She sits up, angry but depressed. It’s ten minutes until midnight, and yet there is no call.

            When she looks back down at the phone she gets the sense it seems almost righteous in its stillness.

            Forget him she thinks it might be saying. Go to sleep and forget about him.          

            “Easier said than done,” she replies, laying her head back on the pillow. She suddenly becomes restless, leaping from the bed to pace. “If he’s not going to call,” she decides, “I’m never speaking to him again. Well, unless he speaks to me first. I will not be the one left out in the cold alone.”

            That’s the spirit, the phone seems to say.

            “Thank you, phone.”

            No problem.

            “But…you know,” she says, sitting back down on the bed, “things would be so much easier if you’d ring.”

            The phone seems to sigh in disgust.

            “There’s only five minutes left before midnight! There’s still time for a call or a text!”

            The phone seems somehow disappointed in her.

            “Don’t look at me that way,” she implores, lying back down. “I’m just a pathetic young girl in the throes of love for the first time in her young life. Aren’t I allowed some moments of irrationality?”

            The cell phone says nothing.

            “I know you probably don’t agree.” Silence. “Alright, I know you don’t agree at all. But what can I say?” She looks at the clock. “Midnight. And no call. I see how it is.” She turns away to face the wall again. The phone hears her sniff.

            Bzzz. Bzzz. Bzzz.

            She turns around. That was definitely a vibration. But when she picks up the phone to check for a text, she finds nothing.

            “Why did you have to tease me like that?”

            The phone doesn’t reply.

            “That wasn’t very nice.” She wipes a stray tear, sniffling again. “Unless, of course, that was you wishing me a happy New Years?” The phone seems to look embarrassed. Yes, she senses, definitely embarrassed.

            “Well, if that’s the case, then happy New Years to you, too, my little phone.” She smiles slightly, still sad about being forgotten by the boy, but warmed by the effort of her small, plastic companion.

            Happy New Years.

           
 
 
Current Mood: satisfiedsatisfied
 
 
Amina
31 December 2008 @ 11:17 pm

            A woman paces back and forth in a near-empty room. A man watches her with worried eyes from against a wall.

            “It’s a disaster! A complete disaster!” she moans, her hands wrung together in anguish.

            “No, no it’s not,” the man says to try to soothe her, though he knows that very well may not be true. “He has succeeded in his mission and that is all we could have asked for,” he continues.

            The woman is not convinced. Her head shakes as tears stream down her cheeks. She is most assuredly not convinced.

            “He may have achieved his target, but at what cost? An eye? An arm? How can he continue with us with such handicaps? But there’s no way I can remove him. He means too much to all of us!”

            And with this she lets out a feral yell and kicks the nearest solid item. It is a wooden chair that scuffs her shoe upon contact. She yells again.

            “Stop this!” the man screams. He stands up from the wall and rushes to her, grabbing her arms tightly to stop her outburst. “We will not remove him,” he asserts. “It will not be done – I will not allow it.”

            The woman pulls free, but not very far. Her long, black hair is knotted from all the times she has run her hands through it that hour, and one of those knots has caught on the man’s shirt button.

            The pain makes her shriek, “fuck!” and the loud sound, so close to the man’s ears, makes him react violently. He grabs her again, this time giving her a shake so harsh it causes her neck to snap back and forth viciously. The woman ceases her movement, falling silent and limp. For a moment the man fears the worst, until a small whimper reaches his ears.

            “Love? Love? I’m sorry, so sorry!”

            He releases his hold on her, and she falls into his arms, clutching them as tightly as she can, which is not very tightly at all, crying into his chest. “I’m sorry, I’m sorry…” the man continues to whisper. Running one hand down her back while the other holds firmly to her waist, he slides to the floor slowly, thinking of how this woman – his woman – has faced evil, killed men, and saved lives, yet is falling apart in front of his eyes. He begins to weep.

            “It’ll be fine,” he insists through blurry eyes and gritted teeth.

            “I don’t know how,” she answers.

            They lay on the floor for an hour. It is not very comfortable, but neither one is ready to leave the other in order to face a truth neither is prepared for.

            “What can we do?” the woman asks.

            “We train him to work within his capabilities. He is not useless,” the man replies.

            The woman finally stands again. She is composed as she was four hours ago, before the news of their felled comrade had reached her ears. She picks her revolver up off the nearby table, checking to see how many bullets are left. She knows that all are there, but the motions soothe her in a way the man’s words had not quite been able to. The weapon signifies the way in which she can get revenge – and those are the most comforting thoughts right now. The man is still on the floor, looking up at her. The woman looks down, then blows him a kiss. She piles her long hair up on her head, then grabs her coat.    
            The door doesn’t slam when she closes it, despite her rage. It merely makes a contained click as she lock catches. The man just lays on the floor and waits for her to return.

 

 

 

 

 

            It’s going to be a long night.

 
 
Current Mood: pleasedpleased
 
 
Amina
27 December 2008 @ 09:39 pm




 
 
Current Mood: melancholymelancholy
Current Music: Half As Much - Patsy Cline
 
 
Amina
23 December 2008 @ 06:11 pm
Damn  

I need more Fred Astaire in my life. I only own Swing Time. Granted,  Swing Time is probably one of the best Fred/Ginger movies, but I need some more in my collection. For some reason his movies just brighten my day. This day's been pretty sucky, but one just listening to Fred sing songs like "Funny Face" and "Dancing Cheek to Cheek" and "A Fine Romance" just made everything a little better.

But I'd love to watch a whole movie of his. Maybe The Gay Divorcee or Daddy Long Legs. I don't know. Something happy. Even Holiday Inn might do the trick...

Sigh.
 

 
 
Current Mood: listlesslistless
Current Music: A Fine Romance - Fred Astaire & Ginger Rogers
 
 
Amina
03 November 2008 @ 04:21 pm
  • Jo Stockton (Audrey Hepburn) from Funny Face
  • Patrick Bateman (Christian Bale) from American Psycho
  • Batty Koda (Robin Williams) from Fern Gully


That's all I have for now. All I know is they're all better ideas than the numerous "straight prostitutin'" costumes most chicks wear.
 
 
Current Music: Erik Satie - Gnossiennes No. 1 | Powered by Last.fm
 
 
Amina
28 October 2008 @ 11:55 pm
So basically things have been as busy and delightful as Hell, though hell is not often a place described as such. However, in this case, I'm saying it is.

I've had my hair dyed.
Gotten my nose pierced.
Eaten delicious food in a real house.
Decided I'd rather stay and live with my WONDERFUL friends for another year.
Discovered the joys of Tom Waits and the Velvet Underground.
Watched good movies.
Read great comics.
Gotten work done.
Quit worrying so much about school.

It's ridiculous. Life is kind of joyous right now. Only a few things are missing, and even then I'm doing just fine.

I don't know, guys. I'm just feeling pretty groovy.
 
 
Current Mood: satisfiedsatisfied
Current Music: Yann Tiersen - J'y Suis Jamais Allé | Powered by Last.fm
 
 
Amina
27 October 2008 @ 10:26 pm
The Avalanches - Frontier Psychiatrist
Simon Dawes - Maybe Not Today
A Hawk and a Hacksaw - God Bless the Ottoman Empire
Yann Tiersen - Soir de Fete
Adron - Airplanes
Dressy Bessy - Electrified
DeVotchKa - Queen of the Surface Streets
We Are Scientists - Inaction
Ana Moura - Fado de Pessoa
Sage Francis - Escape Artist
Cake - Jesus Wrote a Blank Check

Go. Now. Find. Listen.
 
 
Current Mood: energeticenergetic
Current Music: The Splendour - Wrong | Powered by Last.fm
 
 
Amina
22 October 2008 @ 09:17 pm
Yes, please.



 
 
Current Mood: excitedexcited
 
 
Amina
17 October 2008 @ 08:49 pm
Hmm.  
I'm in the strangest mood. I'm watching Love in the Afternoon, a very good Audrey Hepburn/Gary Cooper movie from 1957. It's put me in a romantic mind set, but then there's this strange techno music playing outside and the fog has crept up on the school grounds and everything is just...strange. My heart kind of aches, but it's not unbearable.

Just strange.

Now a song is playing called "Love Is Gone" and I first heard the song in Paris, and god knows how romantic that place is. And even more queer is that Love in the Afternoon takes place in Paris.

I just don't know. I want something amazing to happen.

 
 
Current Mood: confusedconfused
 
 
Amina
13 October 2008 @ 10:31 pm
  • 2046

  • Lust, Caution
  • Memoirs of a Geisha
  • Down in the Valley
  • The Painted Veil
  • Cashback
  • There Will Be Blood


Yes, I said There Will Be Blood. Next time you watch the movie, pay attention to the music and the imagery. They're lovely. But, really, all of these movies have a particular atmosphere to them. I can't really explain, they just all really affect me.
 
 
Current Mood: okayStrange
 
 
Amina
13 October 2008 @ 07:05 pm
It will never compare.



 
 
Current Mood: melancholymelancholy
Current Music: The Sons Of The Pioneers - No One to Cry To | Powered by Last.fm
 
 
Amina
02 October 2008 @ 12:47 pm
So, I didn't buy the whole Nightmare Revisited soundtrack, but I bought 4 songs from it on iTunes. Holy bejeezus, the ones I purchased are outstanding. DeVotchKa's remake of "Overture" (insert obligatory DevotchKa squeal here) is sooooo lovely. I mean, really you guys. And the Vitamin String Quartet's take on "Jack and Sally Montage" is sort of blowing my mind right now. It honest-to-God kind of is. It's so gorgeous. And awesome. And many other highly positive adjectives. I haven't listened to the other 2 songs fully yet. I bouth Amiina's (holycraphernameisalmostexactlymine) version of "Dr. Finklestein/In The Forest." The preview sounded really nifty. Then I bought Rodrigo y Gabriella's version of "Oogie Boogie's Song." Like Amiina, I've never heard of them before, but the preview for their song also sounded really cool. So, I'm overall very satisfied with my $4 dollar purchase.


 
 
Current Mood: pleasedpleased
Current Music: Jack and Sally Montage - Vitamin String Quartet
 
 
Amina
30 September 2008 @ 01:51 pm
So, Chuck last night was hilarious. A really good beginning to the second season, I though. Zachary Levi is a lovely man. See:



He's just adorable!

And then there's Pushing Daisies which begins again on Wednesday. Unf unf unf Lee Pace unf unf.



And then theres ANTM which I am still very behind on.Oops.

And then I went and got myself hooked on True Blood. Super sexy southern gentlemanly vampires. How could I resist?



I mean, really!

I'm going to have to read the books now.

Anywho, the point is that generally things are going pretty well.

Damn this song sounds like it should be on the Amelie soundtrack! Silly DeVotchka, how I love you...

And now, just because, here is Elvis Perkins a.k.a. hot, amazing folk singer:



 
 
Current Mood: chipperchipper
Current Music: DeVotchKa - Strizzalo | Scrobbled by Last.fm